I Love You but I've Chosen Darkness
A Novel
(Sprache: Englisch)
NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, VOGUE, ENTERTAINMENT WEEKLY, NPR, ESQUIRE, AND KIRKUS
There s some kind of genius sorcery in this novel. It s startlingly original, hilarious and harrowing by turns, finally transcendent....
There s some kind of genius sorcery in this novel. It s startlingly original, hilarious and harrowing by turns, finally transcendent....
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Klappentext zu „I Love You but I've Chosen Darkness “
NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, VOGUE, ENTERTAINMENT WEEKLY, NPR, ESQUIRE, AND KIRKUSThere s some kind of genius sorcery in this novel. It s startlingly original, hilarious and harrowing by turns, finally transcendent. Watkins writes like an avenging angel. It's thrilling and terrifying to stand in her wake. Jenny Offill, author of Dept. of Speculation and Weather
A darkly funny, soul-rending novel of love in an epoch of collapse one woman s furious revisiting of family, marriage, work, sex, and motherhood.
Since my baby was born, I have been able to laugh and see the funny side of things. a) As much as I ever did. b) Not quite as much now. c) Not so much now. d) Not at all. Leaving behind her husband and their baby daughter, a writer gets on a flight for a speaking engagement in Reno, not carrying much besides a breast pump and a spiraling case of postpartum depression. Her temporary escape from domestic duties and an opportunity to reconnect with old friends mutates into an extended romp away from the confines of marriage and motherhood, and a seemingly bottomless descent into the past. Deep in the Mojave Desert where she grew up, she meets her ghosts at every turn: the first love whose self-destruction still haunts her; her father, a member of the most famous cult in American history; her mother, whose native spark gutters with every passing year. She can t go back in time to make any of it right, but what exactly is her way forward? Alone in the wilderness, at last she begins to make herself at home in the world.
Bold, tender, and often hilarious, I Love You but I ve Chosen Darkness reaffirms Watkins as one of the signal writers of our time.
Lese-Probe zu „I Love You but I've Chosen Darkness “
I've tried to tell this story a bunch of times. This will be my last try, here in my garden with Moana, Lucky, Abigail and Boomerang, each naked except for Boomerang, who is cinched into a blue plastic saddle. The "garden" hardly merits the word by the standards of the house-proud resource-hoarding whites I must count myself among. My garden is mostly rock and dirt, wild, needless as Moana with so many sticks in her hair. Lucky and Abigail are Netflix properties. They have no sticks in their hair, for my daughter gave them butch haircuts last time she was here.The story starts at some point in my daughter's first year, the point perhaps at which I became aware of my inability to feel any feelings beyond those set to music by the Walt Disney Company. I'd banned Disney, its toxic messages and bankrupt values, forbid it my child long before conceiving her. Yet there I was listening to the Moana soundtrack a dozen times a day and digging it, screening the film as often as my infant's budding synapses could bear. No other text moved me as much, with the exception perhaps of Charlotte's Web, particularly the chapter called "Escape," in which Wilbur briefly breaks out of his pen and the Goose, soon to be yoked unmerrily to her eggs, urges him yonder.
. . . the woods, the woods! They'll never-never-never catch you in the woods!
Or maybe it starts before then. Like I said, I've tried to tell it a bunch of times. Each try takes me further from whatever it is I'm after. I finish on an alien shore with a raft of needs, reminded once again that books heal people all the time, just not usually the people who write them. I promise to need nothing from this last try. It's only a yarn for the dolls.
It starts with my husband, Theo. (I've disguised his name because he innocent.)
It starts with Theo in a waiting room reading over my shoulder.
1. Since my baby was born, I
... mehr
have been able to laugh and see the funny side of things.
a. As much as I ever did.
b. Not quite as much now.
c. Not so much now.
d. Not at all.
2. I have looked forward with enjoyment to things.
a. As much as I ever did.
b. Not quite as much now.
c. Not so much now.
d. Not at all.
"That's kind of evasive," Theo says. "'As much as I ever did.'"
"Do you think I'm being dishonest?"
"No, but . . ."
"But what, Theo?"
The baby squawks. I rock the car seat with my foot.
"I'm just saying a diagnostic like this shouldn't be multiple choice," Theo says. "It should be short answer. Or essay. Don't you think?"
"a. As much as I ever did."
Ten-Item Edinburgh Post-Natal Depression Scale
1. Since my baby was born, I have been able to laugh and see the funny side of things.
We tried to find you a nickname in utero but nothing fit so well as the ones we had for your father's scrotum and penis, your brothers Krang and Wangston Hughes.
An app dinged weekly with developmental progress and fruit analogies. Some weeks I wrote my own.
This week your baby is the size of a genetically modified micropeach, which itself is about the size of a red globe grape. Your baby's earholes are migrating this week. Your baby can hear you and may already be disappointed by what it hears.
This week your baby is the size of a medjool date dropped from the palm and left to soften in the dust. Your baby is now developing reflexes like lashing out and protecting its soft places. It is also developing paradoxes, and an attraction to the things that harm it.
This week your baby is the size of a navel orange spiked with cloves and hung by a light blue ribbon on the doorknob of a friend's guest bath
a. As much as I ever did.
b. Not quite as much now.
c. Not so much now.
d. Not at all.
2. I have looked forward with enjoyment to things.
a. As much as I ever did.
b. Not quite as much now.
c. Not so much now.
d. Not at all.
"That's kind of evasive," Theo says. "'As much as I ever did.'"
"Do you think I'm being dishonest?"
"No, but . . ."
"But what, Theo?"
The baby squawks. I rock the car seat with my foot.
"I'm just saying a diagnostic like this shouldn't be multiple choice," Theo says. "It should be short answer. Or essay. Don't you think?"
"a. As much as I ever did."
Ten-Item Edinburgh Post-Natal Depression Scale
1. Since my baby was born, I have been able to laugh and see the funny side of things.
We tried to find you a nickname in utero but nothing fit so well as the ones we had for your father's scrotum and penis, your brothers Krang and Wangston Hughes.
An app dinged weekly with developmental progress and fruit analogies. Some weeks I wrote my own.
This week your baby is the size of a genetically modified micropeach, which itself is about the size of a red globe grape. Your baby's earholes are migrating this week. Your baby can hear you and may already be disappointed by what it hears.
This week your baby is the size of a medjool date dropped from the palm and left to soften in the dust. Your baby is now developing reflexes like lashing out and protecting its soft places. It is also developing paradoxes, and an attraction to the things that harm it.
This week your baby is the size of a navel orange spiked with cloves and hung by a light blue ribbon on the doorknob of a friend's guest bath
... weniger
Autoren-Porträt von Claire Vaye Watkins
Claire Vaye Watkins is the author of the short story collection Battleborn and the novel Gold Fame Citrus. She has received the Story Prize, the Dylan Thomas Prize, the New York Public Library's Young Lions Fiction Award, and the Rosenthal Family Foundation Award from the American Academy of Arts and Letters. A National Book Foundation 5 Under 35 honoree, Watkins is a professor at the University of California, Irvine, and lives in Twentynine Palms, California.
Bibliographische Angaben
- Autor: Claire Vaye Watkins
- 2021, 304 Seiten, Maße: 15,9 x 23,5 cm, Gebunden, Englisch
- Verlag: Riverhead Books
- ISBN-10: 0593330218
- ISBN-13: 9780593330210
- Erscheinungsdatum: 27.09.2021
Sprache:
Englisch
Pressezitat
Praise for I Love You But I've Chosen Darkness:Intense, intelligent, and bristly. . . . angry and alive. . . . a virtuoso performance. The New York Times Book Review
An audaciously candid story . . . . Watkins s book sparks the same electric jolt that The Awakening must have sent juicing through Kate Chopin s readers in 1899. The Washington Post
A tour-de-force. . . . Much of motherhood literature can radiate a sort of wounded egotism, as if the greatest crime that society might commit against a woman were to think ill of her. Watkins, though, neither stews nor panders. She just follows her light. The New Yorker
Unequivocally triumphant. . . . Watkins shows readers and perhaps proves to herself that one does not have to choose the lesser of two evils. A woman can want motherhood and the rest of her life. NPR
[A] surreal autofiction masterpiece . . . . written in sharp language that is both deeply funny and painful. Completely absent any navel-gazing or self-pity, it is a book that probes questions of family, feminism, ecology, and home, and refuses to settle on easy answers. . . . absolutely original. Los Angeles Review of Books
Our most significant rising writer of the American West. . . . I Love You But I ve Chosen Darkness is a road trip story gone wild. . . . It s career-redefining and absolutely bonkers in all the best ways. Vulture
The brutal, arid, electric terrain of remote California and Nevada crackles across almost every page. . . . trippy and beautiful, slippery and seductive a unique psycho-geography of a region that is integral to the American vision and yet seems to have too few literary chroniclers. Vogue
A beguiling, biting exploration of motherhood (and personhood) that weaves in rich biographical details and is set in the desert heat of her California and Nevada hometowns. Vanity Fair
Darkly funny and poignant.
... mehr
E! Online
A beautifully arranged tackle box of everything Watkins does best cut-through-the-bone narrative of family apocalypses; custom blending of the historical, the unimaginable and the impossible; enchanting, terrifying encounters with the American West. Los Angeles Times
Daring . . . Boldly imagined and authoritatively told, this ambitious novel reminds us that Watkins is one of the most visionary writers working today. Esquire
Dark and edgy but also dazzling. Entertainment Weekly
A wild, hilarious novel, told with a contagious, unchained ferocity. It's a wonderful book by an author who's quickly proven herself indispensable to American literature. Minneapolis Star Tribune
Worth the wait. A bracing and reckless piece of autofiction set in the crackling terrain of the American West, it s the work of a writer at the top of her game, her hand remaining steady even as her narrator s life spirals exhilaratingly out of control. The Chicago Review of Books
A dark, and darkly funny, work of autofiction from [a] gifted writer. USA Today
A knockout of a book. Alternately funny and heartbreaking. Pop Sugar
Funny and fearsome. Philadelphia Inquirer
If the evocative name of the book doesn't grab you, Vaye Watkins' stylish prose likely will. Thrillist
The author s wry writing style shines. . . . [painting] a detailed, colorful portrait of life after grief, and the powerful cycle of generational trauma. Pittsburgh Post-Gazette
A simply incredible title, and the novel within definitely lives up to it. . . . a compelling portrait of a woman on the brink. Hey Alma
[A] surreal, hilarious, and sneakily devastating hybrid of autobiography and fiction. . . . [with] a voice that blazes with ferocious wit and candor. Lit Hub
Reckless and defiantly intelligent, Watkins detonates the ties that bind. Incandescent writing illuminates one woman s life in flames. Kirkus Reviews (starred)
A wily fusion of autobiography and imagination. . . . [Watkins is] reckless, infuriating, ribald, incisive, and hilarious. In the spirit of Edward Abbey, Hunter Thompson, and Joy Williams, Watkins has forged a desert tale of howling pain and a chaotic quest for healing mythic in its summoning of female power in a realm of double-wides, loaded dice, broken glass, and hot springs. Booklist (starred)
There s some kind of genius sorcery in this novel. It s startlingly original, hilarious and harrowing by turns, finally transcendent. Watkins writes like an avenging angel. It's thrilling and terrifying to stand in her wake. Jenny Offill, author of Dept. of Speculation and Weather
This book is stupendously good. It practically vibrates in its ferocious frankness, and is so funny too that one can t help but fall for this voice, even in the pain, because of the pain, with the pain. A marvel. Aimee Bender, author of The Particular Sadness of Lemon Cake and The Butterfly Lampshade
Praise for Claire Vaye Watkins:
"The most captivating voice to come out of the West since Annie Proulx -- though it's to early Joan Didion that [Watkins] bears comparison for her arid humor and cut-to-the-chase knowingness." Vogue
"Watkins' vision . . . is mercilessly sharp. She's got a knife eye for details, a vicious talent for cutting to the throbbing vein of animal strangeness that scratches inside all of us." NPR
"Watkins writes with a brutal kind of beauty. . . . [that] forces us to confront things we'd probably rather ignore, but because we're human, we can't." Los Angeles Times
"The writing, with its tough sentimentality, is reminiscent of Denis Johnson's, but Watkins has a style of mordant observation all her own." Harper's Bazaar
"Clear-eyed and nimble in parsing the lives of her Westerners, one of Watkins's strengths is not dodging that the simple fact that love can be tragic, involving, as it does, humans so flawed, so often tender and yet incapable." The Boston Globe
A beautifully arranged tackle box of everything Watkins does best cut-through-the-bone narrative of family apocalypses; custom blending of the historical, the unimaginable and the impossible; enchanting, terrifying encounters with the American West. Los Angeles Times
Daring . . . Boldly imagined and authoritatively told, this ambitious novel reminds us that Watkins is one of the most visionary writers working today. Esquire
Dark and edgy but also dazzling. Entertainment Weekly
A wild, hilarious novel, told with a contagious, unchained ferocity. It's a wonderful book by an author who's quickly proven herself indispensable to American literature. Minneapolis Star Tribune
Worth the wait. A bracing and reckless piece of autofiction set in the crackling terrain of the American West, it s the work of a writer at the top of her game, her hand remaining steady even as her narrator s life spirals exhilaratingly out of control. The Chicago Review of Books
A dark, and darkly funny, work of autofiction from [a] gifted writer. USA Today
A knockout of a book. Alternately funny and heartbreaking. Pop Sugar
Funny and fearsome. Philadelphia Inquirer
If the evocative name of the book doesn't grab you, Vaye Watkins' stylish prose likely will. Thrillist
The author s wry writing style shines. . . . [painting] a detailed, colorful portrait of life after grief, and the powerful cycle of generational trauma. Pittsburgh Post-Gazette
A simply incredible title, and the novel within definitely lives up to it. . . . a compelling portrait of a woman on the brink. Hey Alma
[A] surreal, hilarious, and sneakily devastating hybrid of autobiography and fiction. . . . [with] a voice that blazes with ferocious wit and candor. Lit Hub
Reckless and defiantly intelligent, Watkins detonates the ties that bind. Incandescent writing illuminates one woman s life in flames. Kirkus Reviews (starred)
A wily fusion of autobiography and imagination. . . . [Watkins is] reckless, infuriating, ribald, incisive, and hilarious. In the spirit of Edward Abbey, Hunter Thompson, and Joy Williams, Watkins has forged a desert tale of howling pain and a chaotic quest for healing mythic in its summoning of female power in a realm of double-wides, loaded dice, broken glass, and hot springs. Booklist (starred)
There s some kind of genius sorcery in this novel. It s startlingly original, hilarious and harrowing by turns, finally transcendent. Watkins writes like an avenging angel. It's thrilling and terrifying to stand in her wake. Jenny Offill, author of Dept. of Speculation and Weather
This book is stupendously good. It practically vibrates in its ferocious frankness, and is so funny too that one can t help but fall for this voice, even in the pain, because of the pain, with the pain. A marvel. Aimee Bender, author of The Particular Sadness of Lemon Cake and The Butterfly Lampshade
Praise for Claire Vaye Watkins:
"The most captivating voice to come out of the West since Annie Proulx -- though it's to early Joan Didion that [Watkins] bears comparison for her arid humor and cut-to-the-chase knowingness." Vogue
"Watkins' vision . . . is mercilessly sharp. She's got a knife eye for details, a vicious talent for cutting to the throbbing vein of animal strangeness that scratches inside all of us." NPR
"Watkins writes with a brutal kind of beauty. . . . [that] forces us to confront things we'd probably rather ignore, but because we're human, we can't." Los Angeles Times
"The writing, with its tough sentimentality, is reminiscent of Denis Johnson's, but Watkins has a style of mordant observation all her own." Harper's Bazaar
"Clear-eyed and nimble in parsing the lives of her Westerners, one of Watkins's strengths is not dodging that the simple fact that love can be tragic, involving, as it does, humans so flawed, so often tender and yet incapable." The Boston Globe
... weniger
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